• Post Production Supervisor
Vogue’s iconic series featuring the amazing Olivia Rodrigo. This was a post team of an assistant editor, senior editor, colorist, sound mixer, a supervising editor, a post production coordinator & a QC coordinator.
• Director of Post Production
This ten part series was Team Whistle’s premiere show of 2021. I had the pleasure of working with two editors two GFX artists and one AE.
• Post Production Supervisor
Billie Eilish and FINNEAS take us through a very intimate journey inside of their creative minds as they unveil how they created their soundtrack for the movie 'Barbie.'
This was a team of an assistant editor, senior editor, sound mixer, a supervising editor, a post production coordinator & a QC coordinator.
One of Vanity Fair’s staple shows with the director of the international smash hit RRR
This was a team an assistant editor, an editor, a supervising editor & a post production coordinator.
• Editor
This is Team Whistle’s premiere show on their MCN & OTT platform. This particular episode was one of my favorites that I edited.
I helped design and update the SFXs, transitions, general style and identity of this series with fellow producers.
• Post Production Supervisor
The 30-year-old model and actor is used to discussing her history of mental illness and addiction. In a conversation with Vogue editor Chioma Nnadi, she discusses finally beginning to heal.
This was a team of an assistant editor, senior editor, colorist, sound mixer, a supervising editor, a post production coordinator & a QC coordinator.
• Director of Post Production
A collaboration between Snapchat and the National Parks Service. This project required the tireless efforts of four editors three AEs one GFX artist and had to restore via LTO old footage from a previous production company.
• Post Production Supervisor
Ben Affleck & Matt Damon breakdown their careers. This was a team of three editors, a supervising editor & a post production coordinator.
• Post Production Supervisor
Jenna Ortega’s design not only nodded to Wednesday’s style codes with its schoolgirl bow detail at the neck, but also paid homage to a number of the design signatures of Karl Lagerfeld. This was a very condensed timeline with multiple shoot days including the last day being the Met Gala and this publishing two days after.
This was a post team comprised of an assistant editor, a senior editor a supervising editor and a post production coordinator.
• Post Production Supervisor
Emma Chamberlain sat down with Vogue to debrief on some of her favorite (or least favorite) fashion trends of 2023. This was a post team of an assistant editor, senior editor, colorist, sound mixer, a supervising editor, a post production coordinator & a QC coordinator.
• Camera Man
• Editor
• Producer
This was the homepage edit for Savage Race. I co-wrote, shot, animated and produced this piece. Had a wonderful experience working for ownership and talent.
One of Vanity Fair’s premiere shows with the iconic Willem Dafoe
This was a team an assistant editor, an editor, a supervising editor & a post production coordinator.
A lovely series with British Vogue starring the amazing Olivia Coleman.
This was a post team of an assistant editor, editor, colorist, sound mixer, graphic artist and animator, a supervising editor, a post production coordinator & a QC coordinator.
• Editor
This was a piece I edited from Mashable Studios. This was a four piece series om a collaboration with the US Army.
• Writer
• Editor
• Producer
• Editor
This was a branded piece with nationally recognized talent Beth Mowins.
